Same UI for 3-way color correction with RGB and Luma curves,.New application for high end color correction, basically the SiliconĬolor Final Touch version 2, rebranded as Color and now included in Device presets for just about any device.Faster with more support for multiple cores and.Dynamic filters with Timecode overlays, and animated.Supports Telestream Episode Pro through a plug-in for VC-1, WMV, FLV Simplified cluster setup now extended to MPEG-2, H.264 and.We might need to use on the Digital Production BuZZ shows!). To suffer from Adobe Audition envy) – the demonstration showed removingĪ mic “thump” without damaging the dialog it occured under (something Frequency spectrum view in built-in waveform editor (no more need.in Final Cut Pro and updates the Soundtrack Pro project accordingly, with differences highlighted that you can accept or over-ride A new continuous Conform feature that tracks changes, syncs changes, etc.Library of over 1000 music tracks and sound effects supplied in.5.1 surround sound mixing with stereo and 5.1 in the same project.Full 3D application environment with lights, camera and 3D.Audio behaviors – control animations by audio volume and.Retiming is matched with Behaviors in Motion with a new approach.More FXPlug real-time effects and ProRes 422 support.Motion projects play without rendering in the same way they do in.Motion project, making it the defacto title tool for Final Cut Pro now) Leaving Final Cut Pro (limited editing, for example text within a Open editable Motion projects directly in Final Cut Pro, without.a stabilizer that actually works for Final Cut Pro) SmoothCamera – optical flow technology from Shake for stabilizing camera moves.New Tapeless ingest interface (for DVCPRO HD and XDCAM HD sources).Size in the same timeline with real-time playback Open Format Timeline where you can mix resolution, codecs and.Major new features for Final Cut Pro 6 include: ProRes 422 includes includes automatic upscaling of lower-res Everything in and out to Apple ProRes 422. Plugged directly into a MacBook Pro and work end-to-end in the codec.ĪJA have backed up the Apple ProRes 422 codec with new hardware, theįormats and convert them to Apple ProRes 422 for just US$3495 andĪvailable in July. Sony’s HDCAM SR 1080p60 system being announced separately at NAB thisįiles from the Sony or RED cameras, including 4K files, can be Works with all sources up to 1080P60 from the RED One camera or from Uncompressed HD file can be stored in 170 GB. Sizes making full HD post workflows practical on a MacBook Pro. Apple ProRes 422 does uncompressed HD at SD file Have long needed a post-optimized codec that scales in data rate across DVD Studio Pro has not been revised inīefore we get to the details of Final Cut Studio, Apple had metĪnother item on the Digital Production BuZZ wish list: Apple ProResĤ22, a scalable HD codec optimized for post-production workflows. Final Cut Server will beĪvailable “this summer” and is probably based on Proximity’s artbox (which was acquired by Apple).Ĭut Studio 2 includes Final Cut Pro 6, Motion 3, Soundtrack Pro 2,Ĭompressor 3 and Color. This isĪll integrated with Final Cut Pro, including cutting with proxies.įinal Cut Server costs US$999 for up to 10 concurrent users, or Also included are review and approve tools and automatedĮncoding and publishing using the technology from Compressor. With workflow templates and a “watch and respond” (watch folder) More interestingly, Final Cut Server includes workflow automation Final Cut Server canĬatalog about 100 types of files, generates proxies and enables keyword Interface works on PC as well as Macintosh. Final Cut Server is scalableįrom small boutiques to multinational news organizations and the As we at the Digital Production BuZZ predicted, this was aīig year for workflow within the Final Cut Studio, starting with a newĪsset management application, Final Cut Server. Of course, a new version of Final Cut Studio, with new releases ofįinal Cut Pro, Soundtrack Pro, Motion and Compressor and a newĪpplication in Final Cut Studio, Color (based on the Final TouchĪpple reported over 800,000 paid Final Cut Pro users now registered The highlights are a newĪpplication Final Cut Server, new codec called Apple ProRes 422, newĪJA hardware called IO-HD for real time converstion to ProRes 422 and, Today in Las Vegas, at the Venetian Hotel. About 3000 people heard Apple’s latest announcements at a special event
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